Ethan Hunt returns to save the world, the audience, but above all himself. You can argue three times how much we missed.

You remember that kind of urge from childhood. When your parents go off and you could not wait to see them again in a week. When your mother banned you from playing Street Fighter and sent you to bath and you just walked through the bath so you could do it again? That’s exactly what I had of the most impatience I had since roughly Monday afternoon, when I found out that the sixth Mission: Impossible comes out this Friday(Last week). Yes, we, too, film critics, we are sometimes looking forward to something, although we should keep it secret, because with such prejudices we can not write an unbiased review. But that’s a coughing dog, here’s Ethan Hunt, my nick is imf, and that’s what it’s all about. I simply could not miss this text. But now to the point.

Mission: Impossible – Fallout is all that promised crawlers. At the same time, it is an organic continuation of the great fifth part. So naturally, he’s going through a four-and-a-half-hour full-length jump, so when he’s screened somewhere in the marathon, one will not even notice jumping from five to six. Not only director Chris McQuarrie returns, but to some extent also Sean Harris, the bad guy, and I dare say he’s even more interesting than last time. All the long shadows of the past and the dark fingers of controversial decisions and moral dilemmas are drawn to Ethan Hunt. Tom Cruise is at the heart of everything, not only because of his willingness to bend his body back into unnatural angles, but mainly because he wants the script. Fallout is personal, after a trio is again a symbolic return to the top agents having a hard sandwich and their solutions are often the best of the worst options.

But whoever worries that Fallout will sink into the dark waters of the last bond, he does not have to worry. I have to keep my nails in my teeth so I can not compare it because anyhow Mendes’s movies with 007 did not sit twice, Mission: Impossible after the sixth film goes on so many different tracks that it is useless to mention both series in one sentence, although of course belongs to a relative genre. However, Huntovky does not get any humor, and McQuarrie is not trying to make the audience unprepared for his reversal. No, as well as the two parts in front of her, the six are mainly a great adventure on a roller coaster.

Certain familiarity, and let’s say the transparency of the scheme, is due to the fact that McQuarrie has his own style, which we have already been accustomed to, builds figures and half a dozen action scenes on the playing field according to the rules. That’s why the sixth is the second half of the five, which in my humble opinion is the continuation of the best film of the series. And McQuarrie’s leap from the past uses not only the rapid introduction of new characters (Cavill’s thunderbolt is by far the most striking, but also surprising Vanessa Kirby), but mainly to a more prowling into Hunt’s soul. Again, you will not find anything revolutionary here, Ethan simply tries to escape not only physically – from enemies, falling vehicles and collapsing homes, but also mentally – from the weight and consequences of their decisions. Not unlike Jack Bauer, Hunta with the number of distraught disasters and the associated trouble in personal relationships.

None of the above-mentioned fighters can crush the crazy pace of the slide. Six does not start in the middle of the action like the Goblins, but as soon as it blows through the jet from the starting block, it is to stop and tirelessly sprinkle ideas and scenes that you can already nominate in it yearly, whether it is chasing, fighting or just crazy with camera and cut. McQuarrie has a craft that sells beautiful scenery and breathtaking stunts and Tom Cruise … Tom Cruise is able to catch up not only with the currently absent James Bond, but also with the ingenuity and cheerful trickery to attack Jackie Chan’s best.

Few infinite series can boast of such a high number with a testimonial with the very ones. And who knows if the best is not waiting for us? The inter contented structure of the five and the six can lead to the misconception that Ethan Hunt is culminating, at a level at which other action movies are not attainable at this time. Can he climb somewhere, or should Tom Cruise throw a strait jacket before he breaks his neck in the pursuit of audience recognition? As a spectator, I should have reason to call him. As a fan, I say that Ethan Hunt’s last adventure has been prepaid for the next ten years. Perhaps once the powders Tom Cruise takes will also sell in normal pharmacies.

And why is the five fous higher? Perhaps it is Rebecca Fergusson who came to Hunt’s universe as a storm and transcribed all the rules. Of course that can not be accomplished by Cavill and, moreover, his cards on